'Slumber Party Massacre': Gory, Fun, and Feminist Slasher Remake
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.

Kerry is at a sleepover with the socially awkward, mysteriously orphaned heiress Katie. Friendship--in a society that grows ever isolating--is explored as Kerry learns the hard way that Katie always gets what she wants.
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
The new biopic 'Elvis' highlights the beginning and end of the career of this rock and roll legend. The audience is taken on this journey knowing the tragic ending but not so much about what led him there. A large topic of discussion is the influences on Elvis that made him who he was as a singer, musician, and performer, which were blues, gospel, and country. Many of the songs that rose him to fame were songs by Black artists he heard growing up in primarily Black settings.
Rare in the days of franchise sequels and indie horror films that dominate the screen in 2026, Netflix’s latest original release, Remarkably Bright Creatures, is a feel-good family movie that leaves nothing to be desired except tissues. Starring Sally Field and Lewis Pullman as two cleaners at a small-town aquarium, Remarkably Bright Creatures reminds viewers that humans are social animals whose strength comes not from our intelligence or our opposable thumbs, but from each other.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
Based on the novel by Jennifer Mathieu and directed by Amy Poehler takes on intersectional feminism.