“Onslaught” is Insensitive, to Say the Least
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.

Cinema has long fed our fascination with other cultures, and appears to be just one facet of what is a fundamentally visual fascination. One of the most elaborate manifestations of this was the 1931 Exposition Coloniale Internationale, held in Paris to celebrate ‘la France des 5 continents’. This exhibition sought to represent to the people of France their colonial world by reordering and reconstructing it into scenes or tableaux of everyday indigenous life. This entailed shipping over scores of indigènes and forcing them to act out the gestures of their ‘everyday lives’ under the eyes of 1930’s Parisian society. A slightly less elaborate, although equally controversial at the time, visual representation of The Other was one of the first film documentaries to be made which sought to represent the lives of a colonised people, Marc Allégret’s Voyage au Congo.
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.
“Reboot” can be crass and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.
Queen & Slim is a nice example of representation in both cast and crew
'The Wiz' has the propensity for paying homage to black culture with R&B music, graffiti and jazzy elements that make it incredibly entertaining.
As many of us know, Marvel Studios has taken an interest in women-led superhero films, but some of us are oblivious to the women behind the camera and pen.