'One Missed Call': When an Onryō Goes Digital
In a world where we hear ringers and beepers at every corner, technology feels inescapable. This is why technology is often an enemy in Digital J-horrors, like One Missed Call.

On January 10, 1973, the most intense tornado in South American history struck the city of San Justo. While residents were taking a siesta in the intense heat, an F5 tornado on the Fujita scale devastated the town's main avenue. Forty-six years later, four women who witnessed it share their stories: Miryam lost her mother-in-law, Liliana was trapped by debris, her sister Marta was trapped by a wardrobe, both lost their parents and were orphaned, and the Chazarreta family lost a 3-year-old daughter. The result: 50 dead and more than 500 injured. However, the worst came later: dark remnants of the tornado that make them fear any storm that may unleash in San Justo, a city that lost so much and is still trying to recover. For many, the tornado never left San Justo.
In a world where we hear ringers and beepers at every corner, technology feels inescapable. This is why technology is often an enemy in Digital J-horrors, like One Missed Call.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
“Ad Astra” is a film that possesses similar beats to sci-fi classics, falling into the realm of cinematic hypnotism, and pulling us in with its mysteriously intoxicating identity.
Renee Zellweger shines in this Judy Garland biopic, which highlights the pain and loneliness that so many famous women endure.
Billy Eichner provides a hearty dose of good old fashioned romance with a lot of laughs
After the 2018 surprising hit "A Quiet Place" brought something fresh to the horror genre, the announcement of a sequel may have been disappointing to some. A lot of the time, a sequel to an already successful movie is no where near as good as the original. Yet, John Krasinski once again shows that he's much more than Jim from The Office.