Swept Away by You, Me, and Tuscany
A Black woman centered in a box office rom-com with a happy ending and no struggle love.

The documentary Voices from the Greek Underground is part history, part poetry, part painting and part cinema. Α cinematic pastiche made of testaments on the Greek underground scene of the 60s and 70s, the psychedelic influence in the visual arts and the avant-garde fusion of beat and surrealism in poetry. It is a film about a group of Greek artists and publishers that remained sometimes unseen and sometimes underground, and their personal statement in their effort to change the world with the power of art.
A Black woman centered in a box office rom-com with a happy ending and no struggle love.
James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in time, with the intent of saving Sarah from this deadly foe.
Based on a true story, when his beloved dog goes missing, the owner embarks on an incredible search with his parents to find him.
'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
... La huesera haunts her daily life, leaving people to question her viability as a mother, and Valeria’s lack of satisfaction with her life leave her asking similar questions. These misgivings reach their peak after the baby is born, when Valeria, visibly in a state akin to possession, locks her in the fridge when she won’t stop crying through the night