Polarizing Polar: An Exploitation Film For the Modern Viewer
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.

Between the early 1990s and late 2000s, in what can be considered the golden age of Italian disco, a number of people chose to document a swirling, sleepless nightlife. What emerged is a collection of low-definition videos in which flashing lights, pulsating music and dancing bodies merge to become a mass in constant agitation. Viva la notte starts from this material to explore and expand the sense of loss that characterizes it, taking it to a level of abstraction and opacity where the image dissolves similarly to the world that generated it. Forms are lost in the dark and what remains are the evanescent traces of another place, populated by fleeting ghosts in search of perpetual instability.
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
Personalities clash and tempers fume in a family-run Chicago restaurant
The plot lags, the moral lessons are misguided, but are those fluffy little donut creatures adorable? Yes. Yes, they are.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Mala tripped over in a company Diwali party, which led to unexpected visits and realizations.