'Moonlight': A Retrospective on Barry Jenkins' Masterpiece
Barry Jenkins' masterpiece holds up as the story of a lifetime centered on the intersection of Blackness and gay identity.

Mansex is a virus, one that uses men as its host. Some try to resist it. Others embrace it as the source of life and meaning. We live to breed the sex-virus, to pass it on to every random anonymous dude we meet and fuck. It’s how we reproduce. Our jizz ain’t for making babies. Our sex spreads like wildfire, squirting out of one man’s dick, shooting deep inside another, then another and another. Join in, you’ll never look back.
Barry Jenkins' masterpiece holds up as the story of a lifetime centered on the intersection of Blackness and gay identity.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.
The assassins in Bullet Train are quirky, deadly, and diverse. Yet, they all seem to be some type of caricature. While the movie is fun and action-packed, it’s also packed with stereotypes that don’t make for the best representation.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
Crazy World gives fans of Wakaliwood movies what they want by playing up the comedy and action just like their movies before.