"Nightborn" and Why We Need More Feminist Horror
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.

A bel canto jewel and one of the most technically-challenging operas of the repertoire found its dream team in 2016 at the Teatro Real de Madrid with the incredible soprano Diana Damrau as Elvira, Javier Camarena as Arturo, Ludovic Tézier as Sir Riccardo Forth, and Nicolas Testé as Sir Giorgio. The Spanish stage director Emilio Sagi’s setting of I Puritani is somber and elegant, a perfect match for the excellent musical direction of Evelino Pidò, one of the great interpreters of this repertoire.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.
Episode 3, entitled “Now in Color,” brings us to the 1970s — a decade full of vibrancy, color, and total mayhem.
The film reminds us to remember the people who had the courage and dignity that had made the world better, even when the memory was absent.
The trainwreck is hot but tame.
Adam Sandler goes hard as an NBA scout in this male-heavy sports-drama.