Rallies and Musical Numbers: Hairspray Unpacks Racism in The 1960s
The multifaceted musical represents America in the 1960s and the battle against bigotry as an ensemble cast portrays how to fight for the limelight.

Ana Isabel is an ambitious and opportunistic young woman who has always lived beyond her means. On the day her partner, Zé Tó, is arrested, problems arise at a dizzying pace and Ana Isabel loses everything she has. She finds herself in a complete mess, but the solution quickly presents itself: after being hit by João's car, she does everything she can to portray herself as a fragile and sweet creature with whom he falls in love.
The multifaceted musical represents America in the 1960s and the battle against bigotry as an ensemble cast portrays how to fight for the limelight.
Steven Soderbergh’s Contagion is a fan-favorite, as are some of the more science fiction angled movies like 28 Days Later or World War Z. I recently watched the 1995 Wolfgang Peterson-directed movie, Outbreak for the first time, which is currently available on Netflix.
The film is bogged down with one-off rain monster threats that always come to a quick and undramatic end
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
Can a homeless yet optimistic teenage girl learn to accept a helping hand?
The movie behind the space toy from the 'Toy Story' film series is finally here.