In 1559 in the Forest of Fontainebleau, during the peace negotiations between France and Spain: under the terms of the treaty, the Infante of Spain, Carlos, was to marry Elisabeth de Valois, the daughter of King Henry II of France. During a hunting party, the Infante Carlos (tenor), who loves (Io la vidi) Elisabeth de Valois (soprano), daughter of the King of France, whom he is soon to marry, manages to meet her and declare his love, which is reciprocated. But his father, the King of Spain, Philip II, decides to marry Elisabeth himself. ‘Don Carlos 7’ is a ‘grand opera à la française’ in five acts by Giuseppe Verdi, with a libretto by Joseph Méry and Camille du Locle, based on Friedrich von Schiller’s tragedy ‘Don Carlos’, premiered on 11 March 1867 at the Paris Opera. From the box set ‘Tutto Verdi’ featuring 27 of Verdi’s operas. Recorded live at the Teatro Comunale ‘Luciano Pavarotti’ in Modena on 5, 17, 19 and 21 October 2012.
Joseph Franconi Lee, Tiziano Mancini
Director
Giacomo Prestia
Filippo II
Mario Malagnini
Don Carlo
Simone Piazzola
Rodrigo, Marchese di Posa
Cellia Costea
Elisabetta di Valois
Luciano Montanaro
Il Grande Inquisitore
Alla Pozniak
La Principessa Eboli
Paolo Buttol
An Old Monk
Irène Candelier
Tebaldo / Una voce dal cielo
Giulio Pelligra
Il Conte di Lerma
Marco Gaspari
Un Araldo Reale
Growing up without a dad, I got a lot of my fatherly advice from the prototypes I saw on the silver screen. It’s these characters and films that gave me a glimpse into a dynamic I had never known but also made me realize that I was missing out. Here are my top 10 paternal films.
"La Noria" deftly subverts audience expectations as it explores childhood grief, anxieties, and pain. The award-winning short shows us that often our monsters are often sprung from our darkest places.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
CODA' is about a child of deaf adults torn between staying with her parents and her dreams of pursuing music. This film is a step forward for deaf representation and disability in movies despite negative messages about the burden of actors deaf deafness.