Multi-millionaire Balwant Rai is a widower who lives with his daughter Uma and a school going son Amar alias Munna. Since Uma is of marriage-able age, Balwant decides to get her marry to Sunderlall's son Raghuveer and they all move in to live with Balwant at his estate. In order to take cover of Balwant's entire property Sunderlall and Raghuveer first have him killed, locked up Uma in a den and attempt to kill Munna who is saved by a village boy named Mangal. Years later Mangal and Munna have now matured, and Munna has decided to make his friend Mangal the managing director of the entire Rai group of industries much to the disappointment of Sunderlall who has all time been the M.D of Rai industries.
The film is a simple love story reminiscent of stories like The Notebook released in 2004. Sylvie and Robert are rarely actually together in the film, however; time and circumstance keep them away from each other, and the audience waits with bated breath to see them find one another over and over.
Prajdnik Awasthi’s film uses a mix of metaphor and more grounded details to tell the story of childhood sexual abuse that caused the narrator to close himself off from his father.
An impressive narrative structure, a perfect use of the continuous shot technique, and great interpretations make "Boiling Point" one of the best films of 2021.
“Jumanji - a game for those who seek to find, a way to leave their world behind...” A nostalgic classic that remains unnerving, "Jumanji" draws audiences into a chilling adventure.
Joel Coen has gone solo to create perhaps the greatest version of Shakespeare's 'Macbeth' since Shakespeare himself.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
