
Eight connecting moments of seemingly different lives thread together Vai’s journey of empowerment through culture over her lifetime. Beautifully shot over seven Pacific countries, and played by a different indigenous actress in each place, Vai links together a story of family, culture, and at times, isolation. A delicate exploration into the meaning of growth, adaptation, and most notably, a connection to water and home.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
Even after a history changing event, the 93rd Oscars proved it always had the space for more inclusivity in its award ceremony. But it this enough to change the boycott?