Silliness and the Undead - Zombieland: Double Tap
'Zombieland: Double Tap' was entertaining and fun at times, but not very evolved. It had poorly developed female characters and stereotypical characters of color.

In March 2020, the world shuts down. Billions of people were confined to their homes by a virus. As it became clear that only a vaccine could stop the pandemic, a race began between the four great powers: the USA, Europe, Russia and China. The first to develop a vaccine would gain a significant advantage in global geopolitics.
'Zombieland: Double Tap' was entertaining and fun at times, but not very evolved. It had poorly developed female characters and stereotypical characters of color.
Documented human suffering is never easy to view or read about and is understandably triggering for many people, but it can be educational, and education is a key to change. An overwhelming amount queer people worldwide (and in my own country) have it far worse than I could imagine, and documentaries such as Welcome to Chechnya bring issues to light that certain groups of people would never see.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
It’s almost the end of the first month of 2021, and just over a week since the U.S. saw a new president take office. In light of the occasion, some of us highlighted our favorite political films below!