Africans have become the new must have accessory. Okay, not really, but everyone knows one, works with one or has a sister that’s dating one of us. What makes you African? Is it enough that you’re born there? Do you need to be able to dance? Why does being South African not register as African in most places? You’re thinking about it right now aren’t you? Questioning it. Africa changes people. People who visit game reserves wear ranger outfits... why is that? We don’t wear scrubs when going to the doctor... Africa puts things in perspective, this show will help you find that focus, delivered to you by a Token African.
Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.
Zoe Saldaña is a CIA operative who leads a special program that recruits women to infiltrate and dismantle international criminal enterprises, with a QRT(Quick Response Team) providing operational security that shoots people and blows things up on a weekly basis.
In Deaf, the Spanish director Eva Libertad explores pregnancy and motherhood from the perspective of a deaf woman. Her movie examines how the world imposes the notion of disability on her main character while she actually does not feel disabled herself.
It’s a cool looking Marvel character right off the page! He’s got these glowing eyes and he just kicks ass everywhere he goes, seemingly impervious to pain.
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
