The Zivkovic family lives on a hilly village, on cleared part of land. Having many relatives, their lives are interlaced, and jobs distributed. Their biggest problem is a family that lives on the village edge and whose members steal, and Uros the Stupid, single and infantile Markovic family member. Contrary to the world of elders, Urosh and children lead their life of some kind. Suddenly, postman brings the telegram saying that some forgotten cousin from America has died and left two million dollars of inheritance. Unrest enters life of peasants. Everyone has some idea on how to invest the money, feeling at the same time that they don't need it. All of their actions will end differently from what they expected.
"First Day" is a trans kid slice-of-life tv show that brings desperately needed diversity to coming-of-age stories in mainstream media. Here's a show that get's it right by having a trans actress in a story centered on trans girlhood.
These openly gay Hollywood figures risked so much by being honest about their sexuality: judgment, loss of employment, hate – even violence and death.
A simple question often sparks intense debate. Incluvie attempts a working definition for the beloved horror genre.
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
Four documentaries, now streaming on the Criterion Channel, embody the adopted slogan of the current protest movement: Woman, Life, Freedom
