In the early 90s, a company of young artists discovered the possibilities of video. Unlike film, which was expensive and required complex development, the video could be viewed immediately. Before that, in the history of mankind, it was impossible to get your copy (media copy) so quickly. They filmed everything in a row: their art events, parties, just life. Sometimes they became the heroes of TV reports, so that their lives and destinies are intertwined in the media space with what is happening in the country and the world, creating an endless meta film. This is the story of the Great Digital Revolution of the 90s, which forever changed our heroes and the whole world.
Documented human suffering is never easy to view or read about and is understandably triggering for many people, but it can be educational, and education is a key to change. An overwhelming amount queer people worldwide (and in my own country) have it far worse than I could imagine, and documentaries such as Welcome to Chechnya bring issues to light that certain groups of people would never see.
The live-action remake of the classic Disney film based on a wooden puppet is finally here.
This 2016 winner of an Ophir Award for Best Film focuses on the forbidden romance of a young, Bedouin woman and the ramifications it has for her family, her identity, and her culture.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
This article will cover why this film is categorized as a documentary and concert film.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.
