They were the bad boys of hockey — a team bought by a man with mob ties, run by his 17-year-old son, and with a rep for being as violent as they were good.
Chapman Way, Maclain Way
Director
Richard Brosal
Self - UHL Commissioner
James Galante
Self - Owner of the Trashers
A.J. Galante
Self - General Manager of the Trashers
Ed Adams
Self - FBI Agent / Defense Team (Dark Side)
Jeff Waterman
Self - FBI Agent
Tommy 'T-Bone' Pomposello
Self - Equipment Manager
Brad 'Wingnut' Wingfield
Self - Trashers Enforcer
David 'One Eyed Willy' Beauregard
Self - Trashers Forward
Rumun 'Nigerian Nightmare' Ndur
Self - Trashers Defenseman
Mike Omicioli
Self - Trashers Forward
Drew Omicioli
Self - Trashers Forward
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
'Blonde' commits a relentless assault on the autonomy of Marilyn Monroe, reducing the icon to nothing more than a victim of the director's whims.
If Top Gun needed to say it, Top Gun: Maverick makes you feel the need... the need for speed.
Based off the book of the same name, ‘The Miseducation of Cameron Post’ (2018) follows teenager Cameron Post (Chloë Grace Moretz) after she is caught being intimate with another girl and then sent away to a gay conversion camp.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.