Honey Girls Jam Their Hearts Out
A trio of girls form a band and enter a singing competition together after learning they work best as a team.

Lemonade Joe, The Mysterious Castle in the Carpathians, Dinner for Adele, The and the Golem - These and other Czech cinematography film hits have on thing in common: Jirí Brdecka. The Screenwriter, writer and cartoonist Brdecka was known in Czechoslovakia for his cooperation with Jirí Trnka, Jan Werich or Oldrich Lipský, and became a worldwide famous and respected director of animated films. But who was he in reality? Where did he seek inspiration and where did his rich inner world come from? How did he fight the non-free political regime and manage to show the world his free and timeless creation? Director Miroslav Janek gradually penetrates the interior of one of the most prominent personalities of Czech film and presents to the audience a miraculous world of animated paintings, graphics, oils, watercolors, frescoes and mosaics. On Christmas Eve in 2017, Jirí Brdecka would celebrate his 100th birthday.
A trio of girls form a band and enter a singing competition together after learning they work best as a team.
The film centers around two young women, Becca and Sam, who were once high school sweethearts until they reconnect in their town.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
Spiral could easily spawn new sequels and will most likely churn a decent profit. Is it a good Saw film? Absolutely. Could it have been revolutionary though? Also yes.
Episode 3, entitled “Now in Color,” brings us to the 1970s — a decade full of vibrancy, color, and total mayhem.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.