‘Fast Color’: A Strikingly Different Take on the Superhero Film - Movie Review
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.

Kyowakai acting chairman Baba (Akihiko Kuwata) is attacked, and despite Himuro (Yasukaze Motomiya) and Tamura (Yoshiyuki Yamaguchi) rushing to the scene, the assailant escapes. The Keihin Alliance and Marugami-kai suspect Hirakawa (Hitomi Matsuda), who had poor relations with Baba, but based on witness Reiko’s (Reira Arai) description of the attacker, Himuro identifies a likely suspect. Ordering Reiko to stay silent and refusing police involvement, Kyowakai launches its own manhunt. As Baba remains in critical condition and suspicion toward Hirakawa grows among investigators and Kyowakai executives, Himuro quietly burns with thoughts of revenge.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
Jordan Peele's turn to horror with "Get Out" isn't as unexpected as it may seem. He primed his fans for a disturbing and nuanced exploration of racism with his work on "Keanu" and "Key & Peele."
A young girl who is determined to sail the ocean within 210 days at sea brings an adventurous story for viewers.
I highly recommend Kill Bill: Volume 2. In classic Tarantino fashion, specific sections of the film are a tad too long, but overall, it’s a wonderful piece of escapist fiction.