Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

After their school bus crashes, a group of high school students is thrown into a terrifying fight for survival as they try to take down a group of unhuman savages… before they kill each other first.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
This captivating film can only be truly appreciated by seeing it firsthand. There are not enough words to describe the terrible beauty one experiences while watching it.
If you identify as part of the queer community, or if you love old school slasher flicks, you will love this movie.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
This movie will always resonate with queer people, for as long as queer people exist.
As an Indian lesbian living in the United Kingdom, the cards are stacked against Geetika from the start.