“Onslaught” is Insensitive, to Say the Least
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.

A son loses his father because of alcoholism. The people in a mining town in northernmost Sweden see their community slowly disappear into a hole, little by little. These two situations beyond control create pain and anguish; however, is it possible to compare an act of personal mourning with collective suffering? This is the question that filmmaker and narrator Gustav Hillbom seeks to answer, returning to his native town of Malmberget gathering information about its gradual dismantling.
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
The Super Mario Galaxy Movie comes on the heels of its billion-dollar grossing predecessor, and seeks to do absolutely nothing other than repeat its success. In this, the film is eminently effective. If you have seen the previous film, you can expect something extremely similar in this package. That is, a barrage of references to Nintendo intellectual property wrapped in a plot that provides the thinnest layer of emotional payoff for the characters.
WandaVision is already proving to be a huge success.
Emily and Stephanie are back... just add gin and drama.
An action film led by two queens, fighting for what they believe in through power and pain.