Demonic Is Trippy Sci-Fi Fun, and That’s About It
It's good for your film viewing needs, but isn’t going to shake your world. Demonic is trippy sci-fi fun, and that’s about it. And that's pretty cool.

A man stuck at home with a fractured pelvis tries every means possible to attract a woman into his bed, among them a beautiful policewoman investigating the disappearance of the young man's fiancée. The single camera, ostensibly mounted at the foot of the bed so the doctors can keep an eye on his leg injury, is focused on the man's penis, which, as his face is never shown, must do all the acting in one single uncut shot.
It's good for your film viewing needs, but isn’t going to shake your world. Demonic is trippy sci-fi fun, and that’s about it. And that's pretty cool.
Curry Barker’s film, Obsession, soars in success this past May leaving everyone who has watched it in extreme chills and disturbance. And taking it to new levels of why men are always the root of horror films even when they try not to be.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
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An action film led by two queens, fighting for what they believe in through power and pain.
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