The precarious representations in One Battle After Another
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.

After his mother's death, Gareth is caught between his fear of being alone and his fear of dealing with the world outside. The natural solution, hanging out with preserved bodies from his family's funeral home, works perfectly--until he suddenly has to take care of his niece while hiding the bodies from a neighborhood watchman.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
This romance movie has strong representation of Taiwanese people.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
A film about family and sacrifice... and carnivorous locusts coming after you.
Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.
Diversity is incorporated in a way that only aids in a well-rounded conveying of stories through different lenses. The show’s success is a testament to what audiences are craving: authentic stories that broaden the mind and heart.