The Heroes of "Hustlers"
"Hustlers" returns power to groups that are traditionally deprived of it: women, the working class, and sex workers.

When the need to radically transform our relationship with living beings has become an emergency, UNANIMAL invites us to explore the cohabitation between humans and animals. Sally Jacobson and Tuva Björk plunge headlong, with a delight mingled with irony and absurdity, from the commonplace to the spectacular, guided by the majestic voice of Isabella Rosselini, to propose us to stop looking at animals, and let them look at us.
"Hustlers" returns power to groups that are traditionally deprived of it: women, the working class, and sex workers.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.
The newest in a long line of Cinderella adaptations, Amazon’s Cinderella (2021) prizes girlbossification above the very story it tries to adapt.
The sparks of a dangerous conspiracy ignite a mystery in this sequel based on the mysteries of Sherlock Holmes.