
A railway controller and his sweetheart live in peace next to the railway tracks. Out of nowhere, an umbrella flies into their life.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
It's good for your film viewing needs, but isn’t going to shake your world. Demonic is trippy sci-fi fun, and that’s about it. And that's pretty cool.
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.