The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

A wife learns that her husband who's in coma had an affair. She confronts the other woman but instead finds solace in her. She then realizes she's falling for her husband's mistress.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.
The Gates, John Burr’s new thriller film, is a disturbingly realistic portrayal of three Black twenty-somethings - Derek (Mason Gooding), Kevin (Algee Smith), and Tyon (Keith Powers), as they accidentally take a wrong turn into a gated community that’s more like a modern-day sundown town. The three friends witness a variety of crimes in their new surroundings, including an attempted homicide and an attempted rape. As they attempt to alert the authorities and do the right thing, they are thwarted at every turn by the worst horror stories of American conservatism - racist white suburbanites, reckless gun violence, corrupt police, religious mania, and a megalomaniacal pastor.
A deer caught in the headlights is the perfect metaphor for Animals.
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.
An action-packed adrenaline rush with a diverse cast that delivers evocative storytelling.