Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Kesari Lal Singh’s wife leaves him, believing he was flirting with the neighbor—he wasn’t. To make matters worse, a drug parcel is mistakenly delivered to his home, leading to chaos when a dead body turns up. As he tries to dispose of it, another body arrives, plunging him deeper into mayhem.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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