The Phoenician Scheme: A Man of No Identity
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.

"Wild Bill" Gray is a renegade and a wife-beater. He is about to start on some expedition of crime and his wife implores him to stay at home. She receives a beating for her trouble. Jim, a cowboy, rides past the shack, hears Mrs. Gray's screams and interferes, and takes Mrs. Gray over to his friend, the postmaster, so that she may have a good home. "Wild Bill" plans vengeance. Paxton, the postmaster, starts for the station with money and gold, and is accompanied a short way by Jim. Gray sneaks after them. After going with Paxton a short distance, Jim takes a turn in the road and Paxton rides on alone. Gray closes up on the postmaster, gets the drop on him, but Paxton is quick and there's a hand-to-hand struggle. Bill, however, worsts Paxton, and finally sends him over a precipice. But in falling, Paxton falls into a tree and thus is saved from sure death.
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.
Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes
A lot of us are emotionally impacted by the current pandemic. So, while we’re all stuck here in our homes, it’s great to put on a movie to ease the stress. With that, I made up a small list of some of my favorite feel-good movies.
I didn’t love Expecting Amy, the mini-series following Amy Schumer’s pregnancy, but it brought up a lot of great unspoken side-effects of working and growing a human in America.
It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love. It plays on men’s typical (though certainly not universal) inner-conflict