Living People in "It Was Just an Accident"
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
Two Discs and a Zed
The title of Coombes’ new film refers to the name given to a particular Pictish symbol that has been interpreted as a representation of life and death; the here-and-now and the otherworld. The film presents two main sets: the National Galleries of Scotland in Edinburgh and a mountainous landscape somewhere in the Highlands. The first serves as the stage for the wanderings of a wolf, while the second hosts a caveman sculptor played by Coombes, along with a cavewoman who entombs his body in plaster. In both scenarios, things seem out of place: a savage creature in a museum and a self-conscious artist in the Iron Age. “Love is tender to impression at the surface, like a rock with deep moss upon it, but there is too much mass of love for it ever to be moved.” – Coombes’ sub-personality as the Pictish Man.
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The title of Coombes’ new film refers to the name given to a particular Pictish symbol that has been interpreted as a representation of life and death; the here-and-now and the otherworld. The film presents two main sets: the National Galleries of Scotland in Edinburgh and a mountainous landscape somewhere in the Highlands. The first serves as the stage for the wanderings of a wolf, while the second hosts a caveman sculptor played by Coombes, along with a cavewoman who entombs his body in plaster. In both scenarios, things seem out of place: a savage creature in a museum and a self-conscious artist in the Iron Age. “Love is tender to impression at the surface, like a rock with deep moss upon it, but there is too much mass of love for it ever to be moved.” – Coombes’ sub-personality as the Pictish Man.
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