In the notorious soapland district of Ogoto—Alice, a seasoned sex worker scarred by abuse and betrayal, is ready for a new start as she marries Honjo, a driver she once served. Despite her painful past, which includes being exploited by her stepfather and betrayed by her mother, Alice has found a semblance of family among her peers in the industry. She’s particularly close to Maya, a top earner in their shared apartment building, and maintains a complicated relationship with Dera, an intellectual companion of Maya’s. When Alice and Maya are mugged, they discover that the assailant is Tamae—Alice’s own younger sister. As the web of relationships further entangles with characters like the man Ikuno who originally introduced Alice to this harsh world, and others whose lives spiral out of control, the story builds to a series of shocking events. These include violent confrontations, explosive accidents, and tragic mishaps that leave the characters emotionally and physically shattered.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
For those tranquil houses with white fences, what is happening behind every closed door?
Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian.
'Do Revenge' offers a 2022-relevant sociopolitical commentary that decries virtue signaling while promoting the inclusive virtues the nefarious power structures exploit.
