“Dangerous Lies” is as Predictable as Can be
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.

Mexican drug trafficker Salvador López, along with his Peruvian partners Leonardo and Rafael, are celebrating the success of their alliance at a private gathering. In the middle of the party, Jorge Cisneros arrives, offering the Peruvians the opportunity to become one of their buyers, which enrages Salvador. The Peruvians reject him, and Cisneros leaves, offended, later attempting to kill the Peruvians. Thus begins an all-out war.
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.
The Owl House has swiftly become one of Disney’s beloved cartoon series.
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.