Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Following World War II in peacetime Scotland, brigade headquarters replaces commanding officer Major Jock Sinclair, a boisterous battalion leader, with the strict, temperamental Lieutenant Colonel Basil Barrow. Resentful toward his replacement, Sinclair undermines Barrow's authority and damages his successor's reputation among the soldiers. Barrow faces an uphill battle in regaining the discipline and respect of his battalion.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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