Why We Need a ‘Princess and the Frog’ Remake
With so many Disney remakes out and about in the world and loosed upon Hollywood cinema, there is one Disney film that truly needs to be seen and witnessed on the big screen: Princess and the Frog.

Orphaned siblings Adrien (17) and Jules (16) decide to go back to the house in France where they once grew up with their parents, to see how everything in and around it has changed with time. They find themselves in confrontation with the new habitants of the house, a woman Marie and her daughter Delphine, who see no harm in welcoming the young teenagers and allow them to discover the changes.
With so many Disney remakes out and about in the world and loosed upon Hollywood cinema, there is one Disney film that truly needs to be seen and witnessed on the big screen: Princess and the Frog.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
I came across Urchin by chance and decided to watch it because of the title. It made me think of the spiky animal that lives at the bottom of the ocean, and the old Dickensian novels, where an urchin was an orphaned, homeless child in shaggy and dirty clothes.
I like discovering something new among the old and Tubi has an assortment of horror films from cinema's past for just such an occasion.
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.