Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Trixie and the Treetrunks poster

Trixie and the Treetrunks (2012)

Trixie and the Treetrunks is an episodic puppet series begun in 2006. As this story unfolds, a terrible snowstorm has destroyed the magical forest, leaving an ugly patch of dirt. Trixie plants a mysterious box of seeds and grows a Happy Tree, which starts giving out secret messages from the Center of the Earth to she and her best friend Marsha. One of the first messages from the tree is to, “start a band”! Soon the ice is melting as they try to find a drummer and get ready for their first gig at Harvest Fest. Quintron and Miss Pussycat are featured in a performance in the Center of the Earth where they play Witch in the Club.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Trixie and the Treetrunks is an episodic puppet series begun in 2006. As this story unfolds, a terrible snowstorm has destroyed the magical forest, leaving an ugly patch of dirt. Trixie plants a mysterious box of seeds and grows a Happy Tree, which starts giving out secret messages from the Center of the Earth to she and her best friend Marsha. One of the first messages from the tree is to, “start a band”! Soon the ice is melting as they try to find a drummer and get ready for their first gig at Harvest Fest. Quintron and Miss Pussycat are featured in a performance in the Center of the Earth where they play Witch in the Club.

Rating:
Genre:Comedy, Family, Adventure
Directed By:Miss Pussycat, Quintron
Written By:Panacea Theriac
In Theaters:8/31/2012
Box Office:

Runtime:50 minutes
Studio:

Articles You May Like


"The Father" is a Depressing But Insightful Look at Dementia

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Matt Geiger