“Michael” and the Tension of Lacking Tension
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.

Who is the devil, and how does he operate? What are his weapons? How do you protect yourself and loved ones from these demonic attacks? When does true demonic possession occur? What is an exorcism? Who is an exorcist? TRIUMPH OVER EVIL: Battle of the Exorcists is a new docu-drama that aims to answer these and other questions. The documentary delves into the various aspects of demonic possession and exorcism, showcasing the escalation and significance as well as the role of Catholic priesthood and Mary, the Mother of God, in the battle against evil. Under the patronage and approval of the International Association of Exorcists, the film features several experts including never before seen commentary from the world-renowned Vatican exorcist Father Gabriele Amorth.
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
Eloquent and informative, Hajera Sheikh’s documentary Kathak: Dancing With Taboos tells a story of love for one’s culture and perseverance through adversity.
Based on the legendary creature, the Chupacabra, this live-action movie brings an adventure to all.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
A surprise sequel takes place ten years after the original movie based on the title of the same name, but with a twist to the fairy tale.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.