“The Fog”: Women in Classic Horror
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.

Newspaper editor Clara is happily single, if it weren't for the eternal matchmaking attempts of those around her. When her photos are swapped with those of a good-looking man in a photo store, she is in a state of shock. While she does everything she can to get to know the man in the photos, her boss, of all people, is already one step closer to her goal. When his ex-girlfriend reappears on the scene, the chaos is complete. And it's high time for Clara to take action.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
The second entry of the Five Nights at Freddy’s series released recently, garnering very divisive reviews amongst both fans and critics.
For viewers who love eating burgers, shakes and fries on the go along with a tasty side of nostalgia.
Who knew a drunken game of truth or dare could launch one of the most chaotic rom-coms of the year? The Threesome takes Connor’s fantasy night with Olivia (Zoey Deutch, in peak queen-of-indie form) and Jenny (Ruby Cruz) and flips it into a deliciously messy nightmare when both women end up pregnant. What follows isn’t cheap comedy—it’s a whip-smart, heartfelt exploration of love, consequence, and the beautiful disasters we call adulthood.