Miley Relives Stardom in Hannah Montana: The Movie
Miley Cyrus shares her struggles as a songstress with a young audience, all while staying upbeat for the Disney brand.

Alessandro teaches musicology at the university of Strasbourg. He is also a volunteer reader in hospitals. He shares his apartment with his daughter, 15-year-old Irina, and his anarchist brother Luigi. Life is not always rosy at Alessandro's for three main reasons : he is a widower and has never really recovered from the death of his young wife ; his brother is some kind of parasite who refuses to sell his paintings to capitalist speculators and so to contribute to the cost of the household ; Irina, whom he has raised alone since she was five months old and always felt close to, is rapidly changing from little girl to teenager and wishes to be treated as such. One day, Florence, a beautiful young woman, gets into Alessandro's life. Will he eventually take his chances with her? And will he manage to stop stifling Irina? And will he finally get on with Luigi?
Miley Cyrus shares her struggles as a songstress with a young audience, all while staying upbeat for the Disney brand.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.
Welcome to a special episode of the Incluvie Movie Highlights. This summer we held the Incluvie Short Film Festival. The film festival discovers and brings to light some outstanding short films starring main characters from diverse backgrounds, who are often overlooked in Hollywood. The filmmakers and actors from the 3 winning films came in and talked about their process and what it was like to make the film.
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.