
Jean and Claude - he a car builder, she a model - loved each other, then separated because of Jean's despotic affections. Claude has retired with her child and a friend to a farm she can't manage. Wearily, the friend alerts Jean who, in the twinkling of an eye, erases the difficulties. Claude also learns that the child has been recognized and that his father has always looked after him. The two reconcile and embark on a journey for better or for worse.
John Fawcett’s "Ginger Snaps" intertwines the lore of the werewolf to the hellish experience of a young girl going through puberty.
The film basically says she was a lost cause from the start. We don't get a sense of who Marilyn was.
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
The story continues in 'Tall Girl 2' as Jodi finds herself playing the lead role in the school's musical production.