‘Fast Color’: A Strikingly Different Take on the Superhero Film - Movie Review
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.

In Nerima, Tokyo, the Oni and Momotaro clash once again.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.
Friendships are tested when two girls have a crush on the popular boy at school.
The one-way journey went to the desert that refused to offer an answer or a transcendence.
Eddington attempts to capture how media is intertwined with the uncomfortable present.