'Causeway' Explores Toxic Masculinity Through Its Protagonists
The message to take away from 'Causeway' is that toxic masculinity can manifest in anyone, no matter what their gender identity is.

Although Cao Shun is a descendant of a Mojin, his father never taught him any skills. In the village, he has no skills under his belt and lived as a glib full of deceit. One day, an evil man entered the village and picked Cao Shun, a descendant of a Mojin, to help him find a mysterious treasure. If he refused, he would kill the village. Cao Shun had to bite the bullet and disguise himself as a senior Mojin, and went into a real tomb with a group of people...
The message to take away from 'Causeway' is that toxic masculinity can manifest in anyone, no matter what their gender identity is.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.
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Typically in film, characters suffering from mental illness are used as plot devices or exaggerated for comedy. 'The House that Jack Built's representation exceeds in accuracy and realism of OCD.