Roald Dahl's "Matilda the Musical"
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.

A young mouse arrives at the Parisian headquarters of the King's Mouseketeers with a letter from his father, François Mouse, asking Jerry to teach the lad to be a Mouseketeer. Lessons begin for the French-speaking boy, but although he's charming, he's hopeless and when he gets into a scrape with Tom, Jerry sends the garçon packing. As the boy is leaving Paris, he hears the noise of fighting, and he returns to find Jerry in a fight for his life with Tom. Champagne corks, a paint brush, and a barrel of wine are props in the lad's attack. But has he lost all his clumsiness?
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
This action thriller is made with the hope that the black youth of America will feel empowered, and realize the significance of their heritage.
Intergenerational friendships and community can be so powerful, and this was a great example.
The new Scooby Doo movie that will give viewers the frightening adventure of their lives.
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.