Dia Frampton Talks Her Career and Roles
Richard speaks with Dia Frampton about some of her experiences with acting and music.

In 1840, a young Russian aristocrat, Dimitri Sanin, is returning home after a long tour of Europe. In Germany, he falls in love with a beautiful pastry shop girl, Gemma Rosselli, who soon starts sharing his feelings. They decide to get married and, in order to finance the wedding, Dimitri goes back to Russia to sell his family estate. Unfortunately he falls prey to a seductress, Princess Maria Nikolaevna, who pretends to be willing to buy his land to come nearer him. Now Sanin is in a fix: should he choose the pure Gemma or the evil but irresistible Maria?
Richard speaks with Dia Frampton about some of her experiences with acting and music.
For a troubled teen, Will discovers what is important in life when he attends a summer camp: the people who care about his well being.
While subverting the conventions of Golden Age cinema with the characteristics of a slasher, Pearl studies the delusions of grandeur inspired by the movies.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
It's sexy, regardless of what else is going on.
This is a movie that combines a ghost story, revenge tale, and serial killer obsession into a cinematic experience that uses your fears against you.