Not So ‘Brand New’ Cherry Flavor
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.

In 2007, the artist Jaan Toomik says that the ideas that brought him success no longer attract him. He wants to do something new - a feature film. It doesn't have a concrete form yet, and until it takes shape, he makes sketches. He films, paints, analyzes, but it's all like an echo from the past. The future is hidden in his inner world, where he does not let others. Art is born from loneliness, is his realization.
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.
The Invite is witty, dramatic, funny, and probably the best comedy released this year so far.
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.
It’s dark, uncomfortable, and there are things that don’t make sense.
Crazy Rich Asians. The title is tacky, but the actual movie is both heartwarming and cosmopolitan. After all, it takes place in Singapore!
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.