Getting Lost in Amsterdam
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York

Wei Chenggong, a working actor with big dreams, finally appears to get his big break when actress Milan invites him to play the lead role of "Killer Karl" in a new play. Little does Wei Chenggong know, he has fallen into a perilous conspiracy where all the villains are real, and only through his acting skills and good deal of luck will he be able to make it out alive.
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York
Based on the bestselling memoir, viewers get a glimpse of the challenges of autistic people.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
Curry Barker’s film, Obsession, soars in success this past May leaving everyone who has watched it in extreme chills and disturbance. And taking it to new levels of why men are always the root of horror films even when they try not to be.
Ready or Not takes a terrifying situation and has a fun time with horror components. The film melds horror and comedy, creating a cinematic hybrid that flows like running water. Instead of being a film that embraces gut-wrenching sensibilities, it perfectly taps into the energetic nature of hide and seek.