To The Limit (1989)

When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.

"65" (2023) is the latest Dino flick to try and answer "what else can we do with dinosaurs?"

Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.

Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.

Clocking in at about four hours, Stranger Things season 4 volume 2 is the length of a double feature. Despite the length and the hype, the finale still falls short of expectations thanks to poor pacing, poor character choices, and poor diverse storytelling.

A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.