Underwhelming Presence
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.

As Mexico prepares to host the 1968 Olympics, students and civilians are uniting on the streets to protest the authoritarian government. Tensions are running high and the eyes of the world are on Mexico and President Gustavo Diaz Ordaz. Ana Maria, a student photographer and daughter of a high-ranking official, finds herself embroiled in the movement and is swept off her feet by Félix, a working-class architecture student. This film remembers the events that led to one of the darkest chapters in Mexico’s recent history: the massacre at Tlatelolco, 10 days before the opening of the Olympic Games.
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
The roaring emotional ride that was the season four finale sets June on a new path: more of a Survivor's Journey.
Diversity is incorporated in a way that only aids in a well-rounded conveying of stories through different lenses. The show’s success is a testament to what audiences are craving: authentic stories that broaden the mind and heart.
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.