Movie Review: Sofia Coppola’s ‘On the Rocks’
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.

The sinking of the Titanic was far more than a simple accident. It was a tragedy that could have been prevented. It was the result of a long chain of mistakes: a fatal series of avoidable human errors that sent the Titanic and more than half of her passengers to their watery graves. Based around the official inquiry held immediately after the event, plus evidence that's come to light since the wreck of the Titanic was discovered in 1985, National Geographic, in this drama-documentary special, answers the question: Who Sank the Titanic?
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
You'd better buckle up, pack spare underwear, & maybe lay off the drinking for a night, for a gnarly ride in New York!
If you enjoy the bizarre, silly and entertaining world of the horror B-movies and want a break from the nuanced and poignant big budget horror releases, I have a list of gore-fests from the last ten years to enjoy this October.
Netflix’s recent Millie Bobby Brown vehicle, Enola Holmes 3, is a disappointing and confusing entry in the stellar Enola Holmes franchise. Directed by Philip Barantini, the film stars Brown as Enola Holmes, estranged sister of Sherlock Holmes, Henry Cavill as Sherlock Holmes, and Louis Partridge as her love interest, Viscount Tewkesbury. While it deserves credit for its exciting action scenes and attempts to expand the diversity of its Dickensian setting, the most recent entry in the series completely scuttles Enola’s underdog status from the first films that made her so charming and gave a touch of realism to the story of a young, unmarried woman living in London while self-employed as a detective.
One Night in Miami... did not frame the racism and bigotry as something that could be solved by quality time spent between individuals. Instead, it featured four different legends of Black History together in one room disagreeing for about 2/3 of the film.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.