Go and Tell Everyone About 'Candyman'
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.

While the Calabrian mafia is spreading its influence in the early 70s, Antonio, son of the high-ranking 'Ndrangheta boss Giacomo Zagari, finds himself killing more and more frequently, ultimately realising that he isn't suited to this extreme lifestyle. While his generation rises up in factories, universities and public squares, Antonio finds the strength to defy his father, rejecting his legacy.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.
It’s a cool looking Marvel character right off the page! He’s got these glowing eyes and he just kicks ass everywhere he goes, seemingly impervious to pain.
Like most young people, Leviticus is imperfect. But I love it anyways.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
This Netflix series is a remake based on the book series of the same name with a more diverse main cast.