Indie Film "Where There is Love, There is No Darkness" Shines
Stevan Lee Mraovitch’s film is a beautiful tribute to family, found family, and the lengths people will go to support their loved ones.

KNOB GOBBLERS (TIMSUCK VOLUME 12) is a new international collection of 9 of TIMSUCK’s best swallow scenes. The main event is Max Sohl’s “Trio of Bar Blowjobs” which is 3 suck encounters filmed in a NYC bar simultaneously with legend RAY DALTON making a cockstop in each scene. The Bar Blowjobs also feature BENJAMIN BANKS, MICKEY CARPATHIO, STEPHEN HARTE, ELI LEWIS, TY MITCHELL and RAFAEL RUIDO. Directors Romeo Davis and Sonny St-Clair give us 2 entries filmed in Brazil; MAGRELO XXL getting sucked off by ROMEO DAVIS, and ARTHUR REIZINHO blowing GABRIEL VICTOR. Other scenes include the San Francisco Paul Morris classic with NICK FORTE and CHRIS PERRY; RAY DIESEL and CHASE PARKER filmed by Dice in Portland; and Adan Medina’s scene filmed in Colombia with big dick fan favorite MAXIMO PUGA taking over the mouth and throat of hungry MALUMA SERIO. Something for every sucking blowjob aficionado.
Stevan Lee Mraovitch’s film is a beautiful tribute to family, found family, and the lengths people will go to support their loved ones.
Escape The Field is a serviceable horror thriller. The characters are easier to remember as horror character tropes. As I wrote this review, I only remembered the characters by their tropes: #FinalGirl, #Everyman, #Badass, #MeanB*/SexyGirl, #Realist/BlackLesbian, and #TheNerd.
The thing is, people like Wahlberg will only apologize if they have something to lose, which he did. His glamorous life, his reputation, and his career were all at stake.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
During the third act, the momentum stalls, largely due to the film’s obsession with Kubrick’s visual design. But all in all, Doctor Sleep is a cinematic success, defined by rich characters and high powered emotion.