Excessive and Annoying: The Overhyped Failure of 'Deadpool and Wolverine'
Wolverine carries Deadpool - literally and figuratively

In April of 1986, Wen Pulin and his then-wife Zheng Ziru directed students at Beijing Second Foreign Language Institute in an English-language play adaptation of William Shakespeare's "Timon of Athens." The play was part of "The First Shakespeare Festival in China," and in a move that was unusual for the era, Wen — who had already dabbled in independent filming with his students — decided to record the entirety of the play. This 'video' was screened for public audiences the same year of its production. And in March of 1987, it was displayed on television sets as a 'video installation' during the "Wen Pulin 1987 Art Exhibition." It is one of the earliest examples of video art in China.
Wolverine carries Deadpool - literally and figuratively
Netflix's new thriller Apex, starring Charlize Theron, puts a twist on survival horror. Despite its setting in the beautiful- yet-dangerous Australian wilderness, Apex is not a movie about man vs. nature. Instead, it’s woman vs. man. While checking out the title card and its unpretentious Netflix release might lead viewers to believe Apex is just another celebrity project churned out of the streaming machine, Apex - whether by luck or by intention - is a consistently harrowing film about the reality of being a woman in a public space.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.
Trolls: World Tour doesn’t just pay lip service to diversity and inclusiveness. There is no white-washing of the voice actors. From the actual K-Pop group Red Velvet voicing the K-Pop Troll bounty hunters to Keenan Thompson playing the Tiny Diamond baby to Kunal Nayyar’s Guy Diamond, the cast includes more than just token minorities.