“Disclosure Day” and Anthropocentrism
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.

Yuko (Hitomi Enjo), whose husband is Yonezo, the president of a construction company, drives a truck herself and runs the construction site in short pants with her butt sticking out. The employees are mellow today as well as Yuko's sex appeal, which is both reliable and motherhood, and look at her lower body and make her crotch stand upright. However, Yonezou dies in an affair with Miyuki (Mashiro Aizawa), a high school girl. After the death of the president, the employees unite to keep the company alive, with Yuko at the center.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.
When the world lost Chadwick Boseman on August 28, 2020, we all saw the impact of representation in film. Boseman was not only a Black superhero leading a Black cast in one of the most successful films in history; but his successes paved the way for more, long-overdue diversity in Hollywood.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
Indie director, Niki Caro (known for 'Whale Rider') directs the live-action 'Mulan' and sets another example of strong females fighting against gender inequality.
In this high-flying mission, the pups gear up with jets to stop the Duke of Flappington and save Barkingburg.